Veera Narasimha Naidu (Prabhu) is a faction leader in Kurnool who raised his sister Saraswati (Seetha) with love and Affection to make her forget the loss of their Mother. During the marriage time, she eloped with Basha (Suman), whom she loved which led the death of Narasimha Naidu's Father. Thus enraged Narasimha Naidu cuts the leg of Basha which created a rift between the two families. On a case to win the property belonging to Saraswati, Basha wins the case on Narasimha Naidu after a long gap of 25 years. Seeing the sorrow of Saraswati, her son Sulaiman (Vishnu Manchu) vows to unite the two families and waits for a situation.

A brave man decides to kidnap his friend's beloved from a forced marriage, but ends up abducting the wrong bride. Ironically, the bride he kidnapped is ecstatic because she was already planning an escape. On the run, they fall in love, but in order to get married, they must convince their families.

Prem believes Sanjana is the girl chosen by his dad and falls in love with her. However, she is a runaway bride escaping from a marriage set up by her mafia uncles against her wishes. On learning the truth, he devises a plan to win her over from her uncles who intend to usurp her huge inheritance.

Absinthe remains committed to documenting these amazing riders with the most timeless and stylish medium: Film. Following up to last year’s question ‘Optimistic?’, Absinthe answers with a crew of riders who overcome obstacles with spontaneity and skill in another full spectrum snowboard film that is down to have some more fun with snowboarding. Ready.

This little film of revised found feature film shots doesn’t need more than sixty seconds to prove that cinema is a first class medium for both the idle and the busy. An artfully composed idyll by the sea, uneventful, just like an image from a dream, is sped up and transformed into a nightly ghost ride, driving against traffic down a busy street, through flickering black and white oscillations, toward the glaring headlights of a car – or that of a film projector. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1241/14621

This little film of revised found feature film shots doesn’t need more than sixty seconds to prove that cinema is a first class medium for both the idle and the busy. An artfully composed idyll by the sea, uneventful, just like an image from a dream, is sped up and transformed into a nightly ghost ride, driving against traffic down a busy street, through flickering black and white oscillations, toward the glaring headlights of a car – or that of a film projector. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1241/14621

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New and old friends join The Wiggles for their musical adventures in Wiggle Town, learning lessons and solving problems as they go.

A young bride's wedding night turns into her worst nightmare when her ridiculously rich in-laws force her to play a gruesome game of hide-and-seek.

Ready Steady Go! is one of the UK's first rock/pop music television programmes and was a forerunner of MTV-type programming. It was conceived by Elkan Allan, head of Rediffusion TV. Allan was assisted by record producer/talent manager Vicki Wickham, who became the show's producer, and Michael Lindsay-Hogg who was appointed the show's director in 1965. It was broadcast from August 1963 until December 1966. It was produced by Associated-Rediffusion the weekday ITV contractor for London, called Rediffusion-London post 1964. The live show was eventually networked nationally.The show gained its highest ratings on 20 March 1964 when it featured the Beatles being interviewed and performing their songs "It Won't Be Long", "You Can't Do That" and "Can't Buy Me Love" - the last of which was a hit at the time.RSG! USA! was a Dick Clark production in 1964. A trademark infringement ended the show after six episodes.Its last episode was broadcast on 23 December 1966.